Copyright in the Digital Age

Still the bedrock of creativity and the creative industries

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●     Why Europe’s New Copyright Proposals Are Bad News for the Internet

●     ‘EU copyright legislation will not change in UK after Brexit’ argues Kaye

●     EU copyright reform proposals “sensible” say publishers

●     Publishers stress importance of Robust Copyright Regime Post Brexit

●     Congratulations to Dr. Aislinn O’Connell

●     Fit for Change? Copyright for Publishers in the Digital Age – Abstract/Intro

●     Copyright thesis – Chapter 1 Literature Review

●     Copyright thesis Chapter 2 – A Historical investigation of copyright

●     Copyright Thesis Chapter 3 – Legal Investigation

●     Copyright thesis Chapter 4 – Blocking initiatives

●     Copyright thesis Chapter 5 – Copyright and the UK Economy

●     Copyright thesis Chapter 6 – The Hargreaves Exceptions

●     Copyright thesis Chapter 7 – Alternative approaches

●     Copyright thesis – Conclusions

●     Index, List of Abbreviations, Tables of Cases & Legislation, Bibliography, Appendices 1&2

●     World Book and Copyright Day

●     EU’s new action plan for copyright and digital platforms

●     Google News Leaves Spain

●     Exceptions impact on business: air your views on 20 October 2014

●     Last Copyright Exceptions Come Into Force Today

●     Copyright and the UK Economy

●     Copyright Briefing – July 14

●     Culture of the Public Domain – A Good Thing?

●     An Employment Focus on the Creative Industries

●     Copyright exceptions back on track

●     Exceptions Update

●     LBF14 – Day 2

●     LBF14 – Day 1

●     New Director for Copyright and Enforcement Speaks

●     Copyright and the Future of Global Content Industries

●     Commons Committee warns against diluting IP rights

●     CLSG Launch Report: Streamlining Copyright Licensing for the Digital Age

●     IPso FACTo debate at Stationers Company

●     Publishers Launch Global Exchange on Copyright

●     Funding given to kick-start Copyright Hub

●     IPO thoughts on copyright and the economic effects of parody

●     Modernising copyright – February 2013

●     Stationers and UCL in joint copyright research initiative for communications and content industries

●     Government publishes proposals for changes to UK copyright

●     Stationers offer bursary to copyright research student

●     Hooper recommends UK Copyright Hub

●     Copyright adds extra £3 billion to national accounts

●     Hargreaves warned on damaging UK creative industries

●     PPA pushes for simplified IP rights exchange

●     NLA v Meltwater: a victory for content owners

●     How US publishers pirated Dickens’ works

●     Consultation on legal deposit

●     Minister says search engines must help stop pirates

●     EU votes through the Copyright Term Directive

●     Government backs Hargreaves Review

After a busy and interesting first day of the London Book Fair (on which see here), this blogger returned for the second day of the fair filled with excitement for the range of activities lying ahead of her.

Once again, there were simply too many stands and seminars to describe or even attend everything, so today’s post will focus on the Charles Clark Memorial Lecture 2014.
Now in its sixth year, the Charles Clark Memorial Lecture is an annual event hosted by The Copyright Licensing Agency (CLA), The Federation of European Publishers (FEP), The Publishers Association (PA) and The Publishers Licensing Society (PLS) at London Book Fair.

This year’s lecture, with a welcome by Kevin Fitzgerald CMG, Chief Executive of the CLA and an introduction to the life and work of Charles Clark by his son-in-law, Thomas Drieir, Professor of Intellectual Property at Karlsruhe Institute of Technology, was given by Shira Perlmutter, Chief Policy Officer & Director for International Affairs, US Patent and Trademark Office.

The lecture, titled ‘Making Copyright Work for a Global Market – Copyright Revision on both sides of the Atlantic’ compared the issues involved in the pending copyright revision processes in the EU and in the US, discussing the nature of and reasons for the similarities and differences.

It was a thoroughly interesting lecture, which both discussed the content of the US PTO’s green paper (available here) titled Copyright Policy, Creativity and Innovation in the Digital Economy and then moved on to pointing out both reasons for the disparities between US and EU systems – such as the existence of fair use in the US, which is not the case in the EU, and also the largely congruous outcomes of certain mechanisms, regardless of their difference in operation – for example first sale and exhaustion doctrines.

The topic of licensing was, as it always is when discussing copyright, to the fore. It was emphasised that licensing can be simplified without the need for legislative interference, however. It is up to the industries themselves to improve and streamline the process of licensing their content, availability of rights information, interoperability and territoriality of rights – this will in turn improve revenue streams. This will be achieved through a series of roundtable meetings in Boston, Nashville, Los Angeles and Berkeley, and will hopefully have a concrete outcome by the end of 2014 – whether in the form of voluntary best practice principles or a memorandum of understanding or agreement.

If anything was taken away from the lecture, it was that the US and the EU have different issues and different strengths and weaknesses, but they also have common goals in wanting to make copyright the best and the most innovative it can be. Thus they have much to learn from each other, and working together would be of benefit to those on both sides of the Atlantic.

~ Aislinn

 
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